This website uses cookies.
Preganziol, 1983 cover

Preganziol, 1983

by

Thirty years ago in 1983, Italian photographer Guido Guidi created a short photographic series, taken inside a room in Preganziol, Italy. The sixteen images which make up Preganziol, 1983 were taken within the confines of four bare walls. The only light is emitted through two windows which sit crossways from one another. Preganziol, 1983 is, at first glance, a simple exploration of light, a photographer’s exercise in how to define and describe physical space within a photograph and how light shapes these descriptions. On closer inspection the series is multi-layered: Guidi’s portraits of a room alludes to the idea of the camera obscura ; exterior vistas allude to the Albertian window; blank walls create an aura of emptiness and abandonment; and the shifting of light across the walls signifies the movement of time. Guidi’s skill as a photographer and craftsman of the image is evident here, and this conceptual sequence is charged by a leitmotif running through Guidi’s work: the void, the knowledge that beyond the frame reality goes on unfolding, immeasurable, endless. Guido Guidi was born in Cesena, Italy, in 1941. He studied in Venice at the University Institute of Architecture (now IUAV), where he followed the courses of Bruno Zevi, Carlo Scarpa and Mario De Luigi, and at the Advanced Course in Industrial Design with Italo Zannier and Luigi Veronesi. He has worked as photographer at IUAV Department of City Planning since 1970, and has taught photography at Ravenna Academy of Fine Arts since 1989 and at IUAV – where he holds the Laboratory of Artistic Techniques and Expressions – since 2001.
Publisher
MACK
ISBN-13
9781907946578
Subjects
Guido Guiditransfer

  • Have:1
  • Want:
  • Avg Rating:
  • Ratings:

Who has this book

1 Connection

Recommendations

Col tempo, 1956–2024
Col tempo, 1956–2024
by the artist himself in his typically illuminating
Veramente
Veramente
by architectural history
Col tempo, 1956–2024 (Paperback Edition)
Col tempo, 1956–2024 (Paperback Edition)
by the artist himself in his typically illuminating
Cursed
Cursed
by Charlie Engman
Love in a Time of Allegory
Love in a Time of Allegory
by political and ecological anxiety and by the erosion of shared truths
Hola Mi Amol
Hola Mi Amol
by vulnerable self-portraits of their intimate encounters
The Lighthouse Screenplay Book
The Lighthouse Screenplay Book
by Willem Dafoe
Make Sure You’re Around After You’ve Gone: Ghost Stories
Make Sure You’re Around After You’ve Gone: Ghost Stories
by director David Lowery (A Ghost Story
Making Marie Antoinette Postcards
Making Marie Antoinette Postcards
by Andrew Durham documenting life on and off the set of Sofia Coppola’s spectacular third feature film Marie Antoinette
The Lobster Screenplay Book
The Lobster Screenplay Book
by a poem by Emma Stone
Archive
Archive
by Sofia Coppola
The Important Flowers Planner 2026
The Important Flowers Planner 2026
by Anamaria Morris for Joseph Logan Design
Donald Judd Spaces
Donald Judd Spaces
by Rainer Judd and Flavin Judd
Lunario, 1968-1999
Lunario, 1968-1999
by the introduction of a fish-eye lens
Per Strada
Per Strada
by Guido Guidi from 1980 to 1994
In Veneto, 1984-89
In Veneto, 1984-89
by opening like a sort of warning
Paul’s Book
Paul’s Book
by Collier Schorr
Sleeping by the Mississippi
Sleeping by the Mississippi
by the Mississippi by Alec Soth is one of the defining publications in the photobook era
There I Was
There I Was
by the time the article was published
Beyond Caring
Beyond Caring
by its use of colour in a classic documentary topic
The Artist’s Books
The Artist’s Books
by Francesca Woodman
In Sardegna, 1974, 2011
In Sardegna, 1974, 2011
by forty years
End of an Age
End of an Age
by Paul Graham
a Handful of Dust (Second Edition)
a Handful of Dust (Second Edition)
by Marcel Duchamp
Paul Pfeiffer: Prologue to the Story of the Birth of Freedom
Paul Pfeiffer: Prologue to the Story of the Birth of Freedom
by celebrity
Reconstructing Space
Reconstructing Space
by artists including Bernd & Hilla Becher
Mixed
Mixed
by Norwegian artist Dev Dhunsi
Glitter in My Wounds
Glitter in My Wounds
by the artist and educator Adam Broomberg
Biscuits
Biscuits
by The Museum of Contemporary Art
Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir
Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir
by examine Kashmir’s occupied territories and the complex ways in which India’s infrastructure of surveillance and occupatio

Market

Community Notes