The Cosmic Oval is a nocturnal entrance into an exploration of feminist cosmologies, storytelling and the many ways of knowing and imagining the hot blue beginnings of time. By turn dreaming and waking, Ella Finer enters history and imagination from the sleep side, taking her cue from Anne Carson. Finer attends to cultural memory as composition, gathering cosmic guides with whom to listen beyond what is given to hear. In west London, the entrance to architect and theorist Charles Jencks’ Cosmic House is overlooked by The Cosmic Oval, a representation of the origin of the universe referencing both contemporary scientific discoveries about its elliptical shape and ancient cosmogonic myths. Finer’s imagined conversation between the figures who inhabit the frieze surrounding the Oval, such as Hannah Arendt, Imhotep and John Donne, re-orchestrates cultural history to explore social scenes of study and the way knowledge moves through bodies and time. Commissioned by the Jencks Foundation at The Cosmic House.
by artists working in the graphic design field for their place of employment
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Documentos de Arquitectura 7: Roser Amado / Lluis Domenech
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Hans Brechbuhler 1907-1989
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El Croquis 142: Architectural Practices (Practicas Arquitectonicas)
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Bartlett Designs: Speculating with Architecture
by the individual tutors concerned
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Ethik des Bauens/The Ethics of Buildings
by Botta himself help elucidate the theoretical discourse
Ten Houses: Enrique Browne
by way of intermediate spaces between interior/exterior
Two projects by Foster and Partners: the Carré d’Art, Nîmes & the Bilbao Metro: 1998 Veronica Rudge Green Prize in Urban Design
Community Notes